Cigarette Products:

The Social History of Smoking

George Latimer Apperson

Chapter 10:

Undergraduates, like men of letters, did not pay much attention to the conventional attitude of society towards tobacco, and pipes maintained their popularity in college rooms. Thackeray, in the "Book of Snobs," describes youths at a University wine-party as "drinking bad wines, telling bad stories, singing bad songs over and over again. Milk punch—smoking—ghastly headache—frightful spectacle of dessert-table next morning, and smell of tobacco." But the satirist is often tempted to be epigrammatic at the expense of accuracy, and this picture is at least too highly coloured. In the recently published memoir of "J"—John Willis Clark—some reminiscences of the late Registrary are included; and "J" does not recognize Thackeray's picture as quite true of the "wines" of his undergraduate day, i.e. about 1850. "They may," he says, "have 'told bad stories and sung bad songs,' as Thackeray says in his 'Book of Snobs.' I can only say that I never heard either the one or the other." But certainly there was noise, and there was smoke—plenty of it. "Conversation there was none," says "J," "only a noise. Then came smoke. In a short time the atmosphere became dense, the dessert and the wine came to an end, and it was chapel time (mercifully)." One story Clark tells of an extraordinary attempt to smoke. Referring to the compulsory "chapels," he says that as a rule everybody behaved with propriety, whether they regarded the attendance as irksome or otherwise. But, he admits, "'Iniquity Corner,' as the space at the east end on each side of the altar was called, may occasionally have effectually sheltered card-playing; but when a young snob went so far as to light a cigar there, he had the pleasure of finishing it in the country, for he was rusticated. It was on a cognate occasion in Jesus College, in which cobblers' wax played a prominent part, that Dr. Corrie dismissed the culprit, after a severe lecture, with these admirable words: 'Your conduct, sir, is what a Christian would call profane, and a gentleman vulgar.'"

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The Social History of Smoking

George Latimer Apperson

Chapter 15:

A frequent sign-device among dealers in snuff was the Crown and Rasp. The oldest method of taking snuff, says Larwood, in the "History of Signboards," was "to scrape it with a rasp from the dry root of the tobacco plant; the powder was then placed on the back of the hand and so snuffed up; hence the name of râpé (rasped) for a kind of snuff, and the common tobacconist's sign of La Carotte d'or (the golden root) in France." Râpé became in English "rappee," familiar in snuff-taking days as the name for a coarse kind of snuff made from the darker and ranker tobacco leaves. The list of prices and names given by Wimble, a snuff-seller, about 1740, and printed in Fairholt's "History of tobacco," contains eighteen different kinds of rappee-English, best English, fine English, high-flavoured coarse, low, scented, composite, &c. The rasps for obtaining this râpé, continues Larwood, "were carried in the waistcoat pocket, and soon became articles of luxury, being carved in ivory and variously enriched. Some of them, in ivory and inlaid wood, may be seen at the Hotel Cluny in Paris, and an engraving of such an object occurs in 'Archæologia,' vol. xiii. One of the first snuff-boxes was the so-called râpé or grivoise box, at the back of which was a little space for a piece of the root, whilst a small iron rasp was contained in the middle. When a pinch was wanted, the root was drawn a few times over the iron rasp, and so the snuff was produced and could be offered to a friend with much more grace than under the above-mentioned process with the pocket-grater."

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